American Indian Rock Art Vol 40

Description: American Indian Rock Art Volume 40 IFRAO 2013 Proceedings The combined papers from the 2013 joint conference of IFRAO (International Federation of Rock Art Organizations) and ARARA (American Indian Rock Art Association), which was held over five days in Albuquerque, New Mexico. Please note that the papers in this volume were never published in bound print format. It was *only* made available in digital format on DVD. ------ Myths, and Cosmology: Archaeological Material and Anthropological Meanings3 Women, Cattle and Lunar Symbols: Their Cosmological Significance in Saharan Rock Art and Funerary MonumentsAhmed Achrati Ph.D.17 Arte Rupestre en Poro Poro de Udima: Ancestros Míticos y Linajes, Prácticas Chamánicas, Peregrinación y Oráculo en un Sitio ExcepcionalMaría Susana Barrau and Daniel Castillo Benitez27 Arte Rupestre en el Alto de la Guitarra: Paraíso de Cazadores, Calendario Agrícola, Mitología y Ritual en la Costa Norte PeruanaDaniel Castillo Benitez and María Susana Barrau43 Bison Effigy Stones in WisconsinHerman Bender81 Rock Art Imagery and Symbolism at the Neolithic Stone Circles of Drombeg (Ireland), Stonehenge, and Avebury—Demonstrating the Cosmic Myth of the Marriage of the Gods in ActionG. Terence Meaden Ph.D. and Linda HowleyArchaeology and the Science of Rock Art97 Understanding the creation of early angular cupules on hard quartzite rock at Daraki-Chattan by direct percussion method: A preliminary studyRam Krishna and Giriraj Kumar107 Development of a GPS Based Method of Setting ProveniencesCandie Borduin, Jeff Toomey, Lee Borduin, and Janet MacKenzie119 The Pictographs at a Tank in Southwestern ArizonaRichard Martynec and Sandra MartynecPaleoindian and Archaic Rock Art in the Americas139 North American Rock Art in a World Cultural ContextDr. William Breen Murray147 Are Utah’s Sand Island “Mammoths” Late Pleistocene? A Geologic ViewMary L. Gillam Ph.D. and Lillian D. Wakeley E.D.173 Lines of Confusion: the Bluff “Mammoths”Polly Schaafsma189 Preceramic Rock Art in Bolivia A Preliminary ApproachMatthias Strecker209 Camelid Representations in Archaic Rock Paintings of Central and Central-Southern Peru-Representaciones de Camélidos en Pinturas Rupestres Arcaicas del Centro y Centro-Sur del PerúRainer Hostnig Rock Art in Asia and Pacific Region241 Rock Art and World Heritage in AustraliaBrian J. Egloff and Graeme K. Ward251 Human Depiction in Vindhyan Rock ArtMahesh Ch. SrivastavaGender and Sexual Dynamics in Rock Art263 Are Numic Scratched Rock Art Drawings Women’s Work?Kish LaPierre, M.A., R.P.A. and Alan Garfinkel, Ph.D.277 From Cradle to Grave and Beyond: Gender in Central California Rock ArtMary A. Gorden, M.A.305 Rock Solid Stratifications of Gender: Northern Australia’s Ritual Depictions321 Six Pictograph Sites in Southwestern Arizona: Possible Gender ImplicationsRichard J. Martynec and Sandra K. Martynec341 The Avebury Corpus of Neolithic Southern England: Sculpted Heads, Torsos, Body Parts, and Abstract Sexual SymbolismDi PattisonLet Us Join Hands: The Most Common Representational Rock-art Symbol in the World-- Unamos Nuestras Manos: el Simbolo Más Común en el Arte Rupestre Mundial363 Some Clues from Borneo for Deciphering Hand StencilsJean-Michel Chazine373 Handprints in the Rock Art and Tribal Art of Central IndiaMeenakshi Dubey-Pathak and Jean Clottes383 Handprints in Maltravieso Cave (Cáceres, Spain): Typology, Distribution, Techniques and Chronological Con text.-Representaciones de Manos Paleolíticas en la Cueva de Maltravieso (Cáceres, España): Tipos, Distribución, Técnicas de Representación y Contexto Cronológico.Hipolito Collado Giraldo and José Julio García Arranz441 Reflections on the Presence/Absence of Hands in the Anthropomorphic Figures of the Schematic Rock Art Style of the Iberian Peninsula. -Reflexiones Sobre la Presencia/Ausencia de las Manos en las Figuras Antropomorfas del Estilo Rupestre Esquemático de la Península Ibérica.José Julio García Arranz and Hipolito Collado Giraldo477 Religious, Mystical and Magical Hand Prints from the Arabian DesertMajeed Khan489 Rock Art of Hands in Sonora, México - Manifestaciones Gráfico Rupestres de Manos en Sonora, MéxicoCésar A. Quijada507 Hand Images in Maya CavesMatthias Strecker529 The Handprints in Queretano and Guanajuato Rock Art - Las Improntas de Manos en el Arte Rupestre de Querétaro y Guanajuato, MéxicoCarlos Viramontes Anzures549 A Preliminary Study of the Hand MotifZhang Yasha and Yang Qinglin Student Session563 Rock Art on the Kaibab Plateau: Applying Legacy Data to Heritage ManagementJana M. Comstock585 Being on the Move: Rock Art Production and Use in Dakelh Traditional TerritorySuzanne Mitchell601 Representation of Fiber Artifacts and Basketry in Northeast Mexican Rock ArtMartin I. Santana Salas611 Marking an Animate Landscape: Rock art in the North Central Andes of PeruJonathan Dubois621 Cup and Ring Marked Stones Discovered in Jiangsu and Henan Province in ChinaDai Yue629 The study on the squat human figure of Zuo River PictographsHuang Yaqi641 Cultural Interpretation of Group Gathering Scenes in Rock Art of South ChinaDu Hui Context of Rock Art661 Archaeoacoustics and the Location of Rock Art in SpainMargarita Díaz-Andreu, Carlos García Benito, María Lazarich, Antonio Ramos, Mª José Cruz and Gao Qian671 Boqueirão do Paraguaio: A Gorge that Shows How “to see” Serra da Capivara, Piauí, BrazilPascale Binant685 Context Interrupted: The Displacement and Re-Situation of Four Unique Petroglyph Boulders in OregonDouglas Beauchamp689 Southern Rocky Mountain Arborglyphs: Correlates, Contrasts, and Comparative Research Opportunities in the Study of Carved Trees and Rock ArtTroy R. Lovata, Ph.D.Ceramics and Rock Art: Relationships, Connections, and Confluences703 Amazon Iconography - Similarities Between Pottery and Rock Art; Iconografia Amazónica – Similitudes Entre Céramica y Arte RupestreEdithe Pereira721 El Cantil de las Ánimas. Nuevas Evidencias de Decapitación Ritual en la Gráfica Rupestre del Nayarit.Luis Alfonso Grave Tirado and Francisco Javier Samaniega Altamirano731 Imágenes del Neolítico. Cerámica y Arte Rupestre en el Arco Mediterráneo de la Península IbéricaMauro S. Hernández Pérez, Bernat Martí Oliver749 La Gráfica Rupestre del Gran Nayar y la Cerámica Aztatlán. Manifestaciones de Una Misma Tradición CulturalLuis Alfonso Grave Tirado and Francisco Javier Samaniega AltamiranoRecent Rock Art Research in the Eastern United States New Contributions in Research andManagement of Heritage Rock Art in Mexico765 You Can’t Take It (All) With You: Rock Art and Looting on the Cumberland Plateau of TennesseeJan F. Simek, and Sarah C. Sherwood, Nicholas P. Herrmann, Sierra Bow, Alan Cressler,and Stephen Carmody New Contributions in Research and Management of Heritage Rock Art in Mexico. -783 La Puesta in Valor de la Ruta de los Petrograbados en la Piedad, MichoacánMagdalena A. García Sánchez and Armando Anaya797 Un Santuario Rupestre en los Altos de Jalisco, MéxicoRodrigo Esparza López and Francisco Rodríguez Mota825 Research and Conservation of the Heritage Rock From the Northeast of Guanajuato - Investigación y Conservación del Patrimonio Rupestre del Nororiente de GuanajuatoCarlos Viramontes Anzures841 Espacios Rituales, Simbolismo del Paisaje y Arte Rupestre en los Cerros de Trincheras del Noroeste de Sonora. Estu dio de Caso: el Cerro San JoséJulio Amador Bech and Adriana Medina Vidal871 Valle de Conchos, Nuevo León. Estructuración del Paisaje Cazador-Recolector Mediante la Gráfica RupestreDra. Araceli Rivera Estrada905 Monogramas Rupestres Misioneros en la Zona Serrana Meridional: La Muralla, Galena, Nuevo LeónDra. Araceli Rivera Estrada919 Consideraciones Iconográficas en Torno al Sitio Arroyo Seco, Guanajuato: Un espacio Ritual de Larga DuraciónMaría Magdalena and García Espino937 Tláloc y sus Representaciones en el Arte Rupestre de TlayacapanElda Vanya Valdovinos Rojas951 Agencia y Personeidad en Pintura Rupestre. Personas Habitando la Sierra de Nuevo LeónDiana Paulina Radillo Rolón981 La Cueva de los Monos. Un Acercamiento a las Representaciones Pictóricas del Valle de Cucurpe, Sonora, México.Tomás Pérez-ReyesSeeing with New Eyes: Advances in Pigment Analysis and Image Enhancement Tools in Rock Art Studies995 Pictographs from Mahlac Cave, Guam: Radiocarbon Dating and Chemical StudiesRosalind L. Hunter-Anderson, Mohammad Yousuf, and Marvin W. Rowe1017 The Church Rock Petroglyph Site: Function, Style, Digital Documentation, and 3D VisualizationMarshall Millett and Eric RitterWritten in Rock Session1043 Written in Rock: A Collaboration Among Azerbaijani and Pueblo Indian Communities (WIR)Claire Eckert and Carolyn McClellanContributed Sessions1067 Who’s Incising What: Can Any of the Lost City Museum’s Incised Stones Be Attributed to the Ancestral Puebloans?Dena Sedar1077 Flower World Imagery in Petroglyphs: Hints of Hohokam Cosmology on the LandscapeJanine Hernbrode and Peter Boyle1093 Upper Orinoco Rock Art of Southwestern VenezuelaJohn Greer, Ph.D.1111 Inka Iconographic RocksJessica Joyce Christie1125 The Importance of the Representation of Hands Engraved in Rock Art in the Region of the Ceira and Alva Rivers (Portugal), Its Symbolism and Comparison with Other Regions of the WorldNuno Ribeiro and Anabela Joaquinito1135 Iconography of Upper Paleolithic Cave Paintings – Methodological ConsiderationsGernot Grube1145 Visual Symbols and Silent Messages: Rock Art, Landscape, and Communication, A Case Study from South ScandinaviaDavid Vogt1155 Rock Art Elements as Artifacts: A Case Study from the Coastal Ranges CaliforniaDonna Gillette , Ph.D., Teresa Miller Saltzman, M.A., and Paula Reynosa1165 Rock Art at Little Lake Ranch, Inyo County, CaliforniaAudrey Kopp1175 Dinwoody Tradition: Methods Used to Produce the ImagesMichael T. Bies1195 Ute Indian Rock Art Maps and Game Drives in Western Colorado: A Preliminary Study of Ute Rock Art Maps in Gunnison Gorge National Conservation Area and Dominguez-Escalante National Conservation AreaCarol Patterson, Ph.D.1215 Is the Medium the Message? Petroglyphs and Pictographs as Cultural Markers at the Interface of the Great Basin and Columbia Plateau in OregonDon Hann1235 “The Dreaming put that there, back in the Dreamtime” Ethnography in the Land of the Lightning PeopleDavid Lee1257 Algunas Consideraciones Sobre las Representaciones de la Columna Vertebral en el Dibujo Rupestre De Los Grupos Agricultores de las AntillasRacso Fernández Ortega, Dany Morales Valdés, and Victorio Cué Villate1283 Sears Point Rock Art Recording Project, Arizona, USAEvelyn Billo, Robert Mark, Ph.D. and Donald E. Weaver, Jr., Ph.D. 21st Century Discoveries and Research of Chinese Rock Art Session1305 Grinding Base Form Rock art in Fangcheng: the Rudiment of Jade BiLi Yingnian1311 The Rock Art of the Ancient TibetZhang Yasha1327 The Study for Huashan Rock Paintings ConservationChinese Academy of Cultural HeritageWang Jinhua, Guo Hong, and Li Li1343 A Review of Chinese Rock Art Research in the 21st CenturyZhu Lifeng and Xiang Jiangtao1353 The Aesthetic Charm of Petroglyph Graphic SymbolBao Qinglin1357 Remaining Primitive People’s Historical Mark on Rock in Northwestern Yunnan, Investigation and Protection ofJinsha River PictographsLi Gang and Yang Xueyin1367 Discussion on Some Questions of the Zuojiang River Rock ArtXiao Bo, Qing Pu , and Peng Pengcheng

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End Time: 2025-01-17T02:14:09.000Z

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